To Larry Correia's credit, he does have level a mastery of the craft of writing, and an everything-but-the-kitchen-sink adventure can be a lot of fun to read and obviously entertains many readers. But it is not an example of the literary excellence I would like to vote for to receive a Hugo.
To Larry Correia's credit, he does have level a mastery of the craft of writing, and an everything-but-the-kitchen-sink adventure can be a lot of fun to read and obviously entertains many readers. But it is not an example of the literary excellence I would like to vote for to receive a Hugo.
It seems to be built out of the most overused fantasy tropes—idealized Medieval world, orphan of mysterious origin discovers magical powers and starts on a quest to help the wizards in their fight against the dark lord and his army of trolls blah blah blah. Jordan has an interesting grasp of details at time (almost fractal, details of details), like when the heroes need the town gates opened for them at midnight, we hear the clanking sound that the ratcheting locking mechanism makes in the quiet darkness. He also makes an effort to ensure that the dozens of characters have individual personalities and qualities, which adds a lot of depth.
But it's dull. There is nothing to excite a sense of wonder. There is no evidence of the sort of creative imagination that makes your head spin. Nothing to create the kind of mood that sucks you in until the outside world disappears (except near the beginning). Combined with the unvarying tone (Jordon shows no trace of humor or playfulness), reading this book has turned into a slog. I am curious what it will turn into over the thousands of pages remaining that has made some people like it so much.
I figure if I keep this on my Nook, I can be sure of never being stuck with nothing to read for at least a decade.
Parasite, by "Mira Grant" (Seanan McGuire)
Jun. 5th, 2014 08:52 pmI think that the target audience for this book was not yet born when the book Jurassic Park came out, so the bit of foreshadowing I quoted would not make them laugh out loud. I can't see anything in the excerpt that would make the book worthy of a Hugo nomination. Lots of good books aren't, but that is the standard I am applying here.
Neptune's Brood, by Charlie Stross
Jun. 4th, 2014 12:32 pm
The series of reversals and denouments that drives the plot, especially toward the end, is more complex, surprising, and interesting than anything from Heinlein's era.
In much of Stross's work, the universe in which the action occurs acts almost like another character, whether in the form of an omnipotent AI, nameless horrors sleeping in the deeps, or a traversable multiverse. Not in this case. The most interesting world building, a water-covered planet, doesns't appear until halfway through, and it is not as well developed as I would like. In an interesting antiparallel, Friday through the book continuously loses allies, increasing the narrative tension, until she faces her last challenge alone, while Krina starts alone and accumulates helpers, which I think gives less impact to the story.
Ancillary Justice, by Ann Leckie
May. 26th, 2014 08:48 amIt was an interesting debut novel. Often first novels show an unconstrained exuberance, the author's idea generator out of control. This was the opposite, perfectly restrained, concise, nothing wasted.
The novel is built out of space opera tropes---space ships, AIs, war between alien empires, planetary invasions. But the major themes are not typical for the subgenre---privilege, sexual and social discrimination. SF has been grappling with these themes for at least 4 decades, but here they worked into the story with a deftness rarely seen. A typical attempt from 70s SF leaves the reader trying to sort out a mess of unreadable invented pronouns, but Ann Leckie simply tells us that the dominant culture makes no distinction between male and female, and every character in the book is referred to as "she". It feels very natural, but the cumulative effect is large. Similarly, the novel is not a polemic about the evils of social privilege, it includes the reality of it in the cultural backdrop.
The character development is unusually deep for the space opera subgenre. The story is more character driven than plot driven. The pacing is also atypical. Instead of a roller coaster, it is like a train leaving the station that accelerates slowly but continuously. I am concerned that its Hugo chances will be particularly harmed by Orbit's decision to include only an excerpt in the voter packet (the voter packet has not been released yet, so I purchased this myself).
The world building is spartan, but had rich detail where it comes into play in the story. Where the world-building in some works peters out into vague generalities, here it seems mostly omitted as irrelevant. It is imaginative and realistic when included. Ann Leckie knows how to deploy just the right amount of detail to establish an interesting setting. So we get a wonderful description of the native building style, multi-story buildings with no permanent walls, just screens for internal walls and emergency shutters for the outside, but when the characters need to take a fishing boat, it is just a boat.
This novel deserves the awards it has received, and I would not be surprised if it won the Hugo. Now, I need to start the Charlie Stross novel.
First Hugo news update
May. 13th, 2014 11:59 am
From a marketing point of view, excerpts makes more senseāI expect I will go buy at least my top choice or two.
I decided for various reasons that this was a good year to get a supporting membership and try out the voter packet. Lots of people still seem unaware that $43 gets you electronic versions of most of the works plus the right to vote. Loncon website doesn't make it easy to figure out.
Thinking about writing out my thoughts as I read works, to make it easier to decide how to vote, and LJ is still a good platform for that. I will have to look around to see if there are any active communities here for such discussions.